Leo Brent Robillard
About the Author

Fiction

Poetry 

The Writer’s Notebook

Selected Poetry Publications

Anthologies

Continuum
Cranberry Tree Press 2004
ISBN 1-894668-17-0
One Poem

Henry’s Creature
Black Moss Press 2000
ISBN 0-88753-348-5
One Poem

Following the Plough
Black Moss Press 2000
ISBN 0-88753-338-8
Two Poems

$10 Cash Value
Cranberry Tree Press 2000
ISBN 0-9684218-7-3
Two Poems

Journals

Carleton Arts Review
Winter 1996
One poem

Winter 1997
Two poems

CV2
Winter 2000
One poem

The Fiddlehead
Spring 2005
One poem

freefall (USA)   
Fall/Winter 2003
Two poems
                                                  GraffitiFish
Spring 1996        
One poem

Grain
Summer 2001
One poem

The Grist Mill
Volume 12, 2004
One poem

The Harpweaver
Volume 11, 2004
One poem

Hook and Ladder
Fall 1995
One poem

Nashwaak Review
Volume 6 & 7, 2000  
Two poems
                            
Prairie Fire
Summer 2000        
Two poems

Queen’s Quarterly
Summer 1995
One poem
                            
Verandah (Australia)
Volume 11, 1996
One poem

Whetstone
Fall/Winter 1999        
Two poems
 
Yield
Spring 1996
One poem

Fall 1996
One poem

Winter 1997
One poem
Excerpt
from freefall

The Island


When they awakened
in the morning or in the afternoon
they had only to sit up
in the life raft of their bed
to see the island
and sometimes,
even at night,
when the moon was full
they could see the island’s darkened hull --
birch leaves shimmering in the light
like the sails of a ghost ship in the water.
But during the day
it was always a hoary turtle,
barnacle strewn --
a shaggy moss-back sunning on a shoal.

In the summer,
it was an easy swim
and if they were willing
to brave the brambles and the thickets
(which they often were)
the two would feast on raspberries
blooming wild in the underbrush --
teeth and tongues stained
the colour of blood
welling in the wake of fresh cuts
and scratches
on their arms and legs and torsos. 
In the winter,
they had only to walk
across the ice-choked channel,
but then the island was a different place. 
The berries replaced by icicles
clattering in the wind. 
The two were always quiet then. 

In the beginning,
the two would come to its shores together,
but later,
and more often,
the girl would make the trip alone
and the boy would watch her slip
into the water like a seal
or trudge off like an Eskimo
wrapped in a down-filled parka. 
The girl stayed longer and longer. 
And the boy
went less and less,
until he did not go at all. 
The first time she went missing overnight
the boy was frightened
and he kept a silent vigil
from the window,
but soon he grew accustomed to the space
in his bed
and learned to live around it. 
And although sometimes she was gone
for weeks on end,
he knew she would return
and he always left her room
to slide in beneath the covers
and fold into him
where they could make love and sleep
like two spoons in a kitchen drawer. 

The girl let her hair grow long
and ceased to shave. 
She stopped wearing clothes altogether. 
There were no mirrors on the island
and the boy did not seem to mind. 
The soles of her feet thickened with time
and birds began to nest in her hair. 
The boy noticed the sweet scent of loam
beneath her finger nails
as they moved together
wordless and desperate
after the girl’s long absences. 

In the middle of winter
he closed upon her pale blue limbs
in the quiet of the house,
but by morning
he would awaken disoriented and alone,
but for the island
as constant as the Earth’s rotation. 
The girl’s visits became so brief and quick
he began to think
that she was a dream
and so he welcomed sleep --
quit his job to sleep full time
and watch the island for clues
when his body forced him into wakefulness. 
He grew thin,
surviving on the meagre offerings of his nieghbours,
each time they showed up
worried about the state of his lawn,
shocked by the sight of his protruding ribs --
the cage
that carried the beating of his heart. 
In the end,
it was the small things that kept him going --
the residue of berry stained kisses
and damp footprints in the hall.

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